Ideas! Fall 2003
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  Their Song Has Gone Out—Or Has It?      
         
  How would you answer the question, “Does your choir sound as good as it might?”

To arrive at the answer to this question, you might first ask, “When leading worship, is the choir placed where the members’ voices will be heard at their best?”

One outcome of the Reformation was that the choir often was moved from the spot from where its sound washed over the congregation to a spot where members could be best seen. This, of course, added to the “performance” accusation often leveled against Protestant choirs. In those churches with oblong shapes, sound produced directly in front of a solid wall close to the ceiling is projected and distributed most thoroughly throughout the room. When the choir is on the same level as the congregation, those people closest to the choir act as a sound barrier.

You might ask, “Why should the choir be seen at all?” Except for processions, its ministry function is not visual. In fact, watching a choir sing can be a hindrance to the movement of the liturgy; those who preside might perform their liturgical roles more easily if they were not in competition with the choir.

Our original question also concerns how good the acoustics of a worship space are at bringing unity to the gathered community. The hardwood floors of older, smaller churches made them far better places for singing than the wall-to-wall carpeted churches of today. Carpeting tends to deaden the space, divide the congregation, and isolate individuals—in this case, singers of hymns.

We need to keep in mind that the members of the congregation are the primary choir and that we need to do all we can to encourage their participation. It frequently is what they sing that the congregation members take with them from the service. Finally, an acoustically vibrant room will encourage and support participatory worship while it discourages presentational worship, in which the leaders “do” all of the worship for the congregation, which is relegated to the role of audience.

Tell Me More

Alan Barthel, executive director of the Presbyterian Association of Musicians, may be reached at (888) 728-7228, ext. 5759, or send him an e-mail.

 
   
   
   
   
   
   
   
   
   
         
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  For more information contact Tammy Wiens 100 Witherspoon Street Louisville, KY 40202 (888) 728-7228 ext. 5496 For more information contact Michael Purintun, acting editor, 100 Witherspoon Street Louisville, KY 40202 (888) 728-7228 ext. 5192. For subscription information contact Tim Ruff, (888) 728-7228 x 5080 or click here to email For more information contact Tammy Wiens 100 Witherspoon Street Louisville, KY 40202 (888) 728-7228 ext. 5496 or click here to email  
     
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