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On Selecting Music for Advent, Christmas, and Epiphany

My childhood family Christmas celebrations, I realize now, were about keeping two distinct ethnic traditions alive. Interestingly, both the German side and the English side of my family arranged the family bits around attendance at church.

 
         
 

For example, my German grandparents would decorate the tree, including real candles, on Christmas Eve afternoon and attend a Christmas Eve mass followed by a great feast and the ceremonial opening of one present each in the wee morning hours. Christmas morning, at my mother’s parents’ house, we had breakfast together, got our first glimpse of the tree, and headed off to the Methodist church for a Christmas Day service. It wasn’t until after Christmas morning church that we were allowed to open the presents that “Santa” brought us. Later that evening we would head back to the home of my father’s parents to open more presents.

The practice of these two traditions together helped me reach the following conclusions: The Church, with its story of God in Christ coming to live among humanity, is central to Christmas; preparing and waiting as a church and a family is part of the lesson of the Church’s story that needs to be lived!

The choice of music both for congregation and for choir during the Christmas “cycle” is profoundly important if we are going to get the “whole” story. Pastor and musician should begin by reading together in one sitting all of the lectionary texts from the beginning of Advent through Epiphany—yes, Epiphany, the oldest part of the Christmas tradition and the end of the Advent-Christmas cycle. One quickly discovers how impoverished our celebrations have become when held up against the grand scope of the readings.

Advent is both about preparing for the coming of God in Christ to live among us as well as at the end of time, the second coming (Parousia!) The first Sunday in Advent begins with the end of time, planets spinning out of their courses, cataclysm, fires. Will you be ready? There is not a single reference to a baby in a manger, not even a hint. The music (and the preaching) should focus on hymns and anthems like “O Day of God, Draw Nigh,” “Lo, He Comes On Clouds Descending,” and “Sleepers, Wake!” (Don’t put that one after the sermon.) The second and third Sundays in Advent focus on the coming just reign of God, introducing John the Baptist and the transforming nature of the God who is coming to save us. (Still no hint of a baby!) The final Advent Sunday is about Mary—the first to say “yes” to God’s call to discipleship—and about the nature of Jesus Christ, the fulfillment of Isaiah’s prophesy, Emmanuel—“God with us” (still no baby). Have we cheated our church out of a much deeper understanding of discipleship as exhibited by Mary’s call and steadfastness by ignoring her? Hymn and choral settings of the Magnificat abound. (The Magnificat is sometimes referred to as The Gospel of Mary. —Editor)

The Christmas period extends from late Christmas Eve through January 6, Epiphany, and often comprises three Sundays. The lessons for these Sundays are well worth exploring, as they deal with the nature of God in flesh and our treatment of God from the moment of Christ’s birth. Epiphany is about glorious light, sharing the news with the world, the arrival of the three Magi in the presence of the Christ child, and sharing the gift of “God with us” with the world. Two good resources to help you present a more full picture of this season are the Handbook for the Revised Common Lectionary, edited by Peter C. Bower, and Call to Worship.

To subscribe to Call to Worship, contact Call to Worship Customer Service at (800) 728-7228, ext. 5331.

 
         
 

 

Alan Barthel is the executive director of the Presbyterian Association of Musicians. For more information, call (888) 728-7228, ext. 5759.

 
         
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